The use of a miracle right away lends not only a sense of positivity to the pre-war island, but places Dr Iannis at our very highest estimations, which in turn gives his character huge power to influence the reader. This miracle is used as a structural device and reveals the theme, and optimism of the human spirit. This was a physical miracle, however de Bernieres also uses other miracles intertwined in the novel. The miracle of music plays a large but subtle part of the book.
The use of a miracle right away lends not only a sense of positivity to the pre-war island, but places Dr Iannis at our very highest estimations, which in turn gives his character huge power to influence the reader. This miracle is used as a structural device and reveals the theme, and optimism of the human spirit.
This was a physical miracle, however de Bernieres also uses other miracles intertwined in the novel. The miracle of music plays a large but subtle part of the book. The central character Corelli is made different from most soldiers in the novel by his passion for music.
We soon learn that this passion is actually a love, and gives his character freedom and humanity. His mandolin is a source of harmony to himself, his soldiers and Pelagia. It adds a crucial soft touch to the hard jagged edges of war.
De Bernieres uses periphrasis, elevated language for a basic experience, to show that it is an image of joy and fun.
With this de Bernieres softens the image and reminds us Captain corelli essay the novel is not solely about war, but about love and passion too. This is also approached with the love that develops between Corelli and Pelagia.
The main focus of the novel is centred on this topic, and so the writing techniques employed throughout often have some relation to the subject. De Bernieres shows their love growing, and the style he chooses depicts this well.
Although we warm to Captain corelli essay from his very entry, de Bernieres reminds us that he is an invader.
De Bernieres uses another technique straight away in the second and fifth chapters, switching the viewpoint with the use of dramatic monologues and satire.
He emulates The Duce and Metaxas to be foolish, incompetent and arrogant. He also tells the story through personal opinions, and so we see diary entries and personal accounts and letters.
He uses this with Carlo, Mandras, Corelli and Pelagia at different points to bring the subjects down to a personal level. We also see the intriguing use of a Dickensian style of writing, which is mainly concentrated through the first third of the book. In the early stages of the novel, his descriptions of society on Cephallonia are a perfect example of this.
They add an unpretentious effect to this pre-war society, and bestow a sense of life as it should be. Throughout the novel we see many episodes and classic Dickensian characterisations. The book follows the growth of self-knowledge of its various characters; Mandras, Carlo, Corelli, Iannis, Pelagia, Velasarios, Father Arsenios; all of them reaching a better understanding about themselves before the conclusion of the novel.
Towards the end of the novel there is certainly a noticeable difference from this style, into the stark unadorned prose of the 20th Century, with its hard-hitting language and imagery that creates its maximum effect on the reader.
It also signifies a change in society and the country by that time; Cephallonia had been changed forever. Magic realism also plays a large part in de Bernieres writing, particularly in reconciliation.
H Lawrence, making going to the sea to take ones life almost clich in English literature. Mandras and Carlo are both represented by de Bernieres in different ways. On our first encounter with both men they are innocent and optimistic and fighting for either side of a particularly horrific war.
Both become worn down and dishevelled by their experience. Mandras however seems to revert to a state of childhood, and with juvenility he becomes reckless and greedy. He shows us two sides of combat, the side that is morally good, but still unhappy, and the side that results in evil and greed.
The technique that de Bernieres uses to show the crushing decline of Mandras is a sharp contrast between his original and latter self. He has an optimistic view on love and on the war and de Bernieres often describes him dancing, playing about and swimming.
The contrast he sets against that is quite the refractory.
He is primal, arguably demented, bitter and angry, pessimistic, spiritually dead and has lost his sense of identity. He gets Mandras wound up in his own lost ideology, and pulls him into a war without honour. De Bernieres uses a very effective technique of imagery to show us how far Mandras has destroyed himself, and how polluted his natural innocence has become.
It is though, the use of the historical content that has aroused complaint from sectors of the public. Large numbers of Cephallonians are deeply ambivalent about the Corelli phenomenon.
Initially it was a lone voice, but recent articles in the Guardian illustrate that the message is getting across. Due to the protests of the Greek people, the growing recognition in Britain of the bubble of distorted history and the hype put behind the issue, the filmmakers disowned the politics of the novel when creating a production based on it.JOHN MADDEN, DIRECTOR Captain Corelli’s Mandolin is an epic novel.
At pages long and spanning over fifty years of history it stands as a considerable challenge to a film maker to retain the spirit of its proportions and yet represent it in only two and a half hours screen time. The novel Captain Corelli’s Mandolin, written by Louis De Bernieres in , explores “humanity; we sigh at their suffering as they are ripped apart and forever changed by war.”1 The quotation in the title is spoken by Carlo quite early on in the novel, at the end of chapter 15, titled ‘L’Omosessuale (4)’.
Captain Corelli’s Mandolin is a novel that offers the reader a plethora of themes. The reader is bombarded with images of war, love, romance and brutalities.
Among de Bernieres many writing styles, the reader becomes aware of his use of irony. Within Chapter 63, one of the most emotive chapters of the novel, the reader.
Captain Corelli’s Mandolin - Assignment Example On In Assignment Sample Louis de Bernieres places Dr Iannis in the situation of having a problem writing about .
'Captain Corelli’s Mandolin' Essay - 'Captain Corelli’s Mandolin' S U M M A R Y It is , and a young Italian officer, Captain Antonio Corelli,arrives on the beautiful Greek island of Cephallonia as part of an occupying force.
He is billeted in the house of the local doctor, Iannis and his daughter Pelagia.
Triumph of Good in Captain Corelli's Mandolin Essay Words | 4 Pages Triumph of Good in Captain Corelli's Mandolin Despite a backdrop of war, many characters .